- The seven keys to success for producers
- Who the independents are
- The benefits of independents over studios
- The two musts for any script
- The proven low-budget formula
- Casting, contacting celebrities, agents
- Guilds & unions: AFTRA, BECTU, Equity etc
- Six types of film stock & buying wholesale
- Labs: prices, one light, work & answer print
- Cameras, sound/light/grip/dolly packages
- Crew: who to hire, what to pay
- Shooting ratios, blocking, coverage,
- Costs, completion bonds, guerrilla filming
- Permits & insurance
- Non-linear, electronic editing, the eight steps
- Six musts for sound, ADR, Foley, the mix
- Negative cutting, timing, securing final print
Day 2: Market, Finance, Distribute
- Distribution, selling to acquisition executives
- Up-front money, getting paid, P&A money
- Gross participation, cross collateralisation
- The route to Cannes, Sundance
- The three major film markets
- Selling foreign rights
- Three areas to sell to
- Producing for video, buyers, VSDA, NAVD
- Press kits, stills, publicists, getting reviews
- Creating and manipulating your career
- Reverse budgeting
- $3–5m, $1m, $100,000 & no-budget
- Planning an efficient shooting schedule
- Distribution, box office, producer’s gross
- Exhibitors’ share, arbitration clauses
- Where the industry is going
- Opportunities on the Internet
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